The Supro Keeley Custom 12 is a collaboration between Robert Keeley and the team at Supro, expanding on their popular Custom 10. Its a 25-watt tube combo with a single 12-inch speaker. The amp has a simple layout with preamp gain, 2-band-EQ, an effects loop, and a master volume. The effects loop is perfect for integrating your modulation, reverb, and delay signals, with out having them muddy up the preamp stage.

A 100-watt tube combo with a 12" speaker by Carvin. It has rhythm and lead channels, 3 or 5-band EQ, and spring reverb. It is very much like a Mesa Boogie in disguise.

A 55-watt tube combo amp. It has multiple channels, several tone-sculpting options, plenty of headroom, and spring reverb.

The "Blues Sr." is a custom combo amp, featuring the guts and spring reverb of the popular Fender Blues Jr. but housed in a custom cab, and a wide range 15" speaker.

A 1960s Gretsch Country Gentleman. Its a 212 combo amp with tremolo. It has a beautiful clean tone that would be well suited for country or jazz. Chet Atkins was the real deal, and so is this amp!

The Blackstar HT 20 Studio head allows you to get some super hot tones at a low volume. Plus it has digital reverb, and a direct out with cabinet emulation, perfect for home-recording.

A 15-watt tube combo amp with spring reverb and an effects loop. This amp gives the Vox AC-15 and the Blues Jr. a run for their money.

A 40-watt bass combo amp with a 10" speaker and onboard digital modeling and effects. There are 15 different amp models, and over 40 effects, as well as an Pre or Post XLR line-outs, an effects loop, and Bluetooth connectivity,

A 1965 Fender Showman Amp Head. If you are dreaming of owning an excellent pre-CBS Fender amp, look no further. This amp has 85-watts of tube power, giving the player a dynamic playing experience with tons of headroom.

The Dirt Road Special is a 40 watt amp with a 12" speaker. It has a wide open sound and features EHX's Holy Grail Max Reverb built in. This amp is a great platform for players who love their pedals. Comes with a footswitch.

The Fender Champion 40 is a 40 watt combo amp with a 12" speaker. It has onboard digital effects and different amp voicings.

The Fender Rumble 40 is a 40 watt, 1x10 bass combo. It has a overdrive channel, three button tone voicing for bright, mid-scoop, and vintage, plus 4- band EQ. Another slick feature is the XLR output, perfect for going DI into a PA or recording device.

The Mustang LT25 is a small, lightweight practice amp with digital effects, inlcuding 20 different amp models. It also works as a USB interface for recording into a DAW.

A faithful reproduction of a 60's classic, the Princeton Reverb delivers 12-watts of tube glory. Featuring real tube driven reverb and tremolo as well as a tube rectifier.

A lightweight practice amp from Fender. This amp is 15 watts, with an 8" speaker, 3-band EQ, complete with an aux input and a headphone output.

The digital revolution is here. The new Fender Tone Master Deluxe Reverb has the classic sound and look of a Deluxe tube amp in a modern, lightweight package.

A 100 watt bass amp with a 12" Eminence speaker. Lightweight, compact, and loud. Features a three-button voicing section (bright, contour, vintage) and an overdrive circuit.

The Blues Jr. is a modern classic. This 15 watt amp with a 12" speaker is now available in lacquered tweed. Features real spring reverb, preamp tube overdrive, and a FAT boost switch.

A 200 watt bass amp with a 15" Eminence speaker. Lightweight, compact, and loud. Features a three-button voicing section (bright, contour, vintage) and an overdrive circuit.

15-watt tube amp with a 10" speaker. The simple preamp delivers ideal vintage tone with a super classic 50's look. A gigging favorite of Jeff Beck, Nels Kline of Wilco and Gary's Guitar's own Marc McElroy.

This new Fishman Loudbox mini is the latest edition. These are small yet powerful amps great for solo acoustic guitar and vocal performances in small to medium sized rooms. It also features Bluetooth for playing backing tracks and in between set music, because your damn iPhone doesn't have a 1/4 inch out and you forgot that adapter somewhere.