The Fulltone Fulldrive 3 is a versatile two-stage clean boost and drive pedal. It has three-way-clipping toggle switch for different voicings and a Germanium diode limiter circuit that alters the dynamic feel. There is also a switch that alters the order of of the signal path, so you can decide whether you want to run the clean boost into the drive section, or vice versa.

A killer two-stage drive pedal with clean boost and distortion. One of the Fulltone Fulldrive 2's coolest features is a switch that cuts the pedal's compression and lets the compression happen once the signal reaches the front of the amp.

This analog phase shifter was highly popular in the 1970s. It is favored by blues, country, and psychedelic rock, and metal heads for its sweeping tonal coloration.

The Metal Muff is not just for metal. We all need some fuzz time to time, and this one is equipped with a super handy gate and three-band-EQ.

Introducing the Switcheroo Effects Loop Attenuator, hand-wired right here at Gary's Guitars. By running this passive pedal in your effects loop, this bad boy tamps down the volume of your output without sacrificing the tube saturation coming from the preamp stage. It is also quite handy on a pedal board if you have a some hot pedals, or are stacking drives, fuzz, etc.

The Memory Toy is an analog delay great for thickening up a guitar tone, adding some lush echoes, or for sending your tone on sonic journey through space and time.

The Eddy is an analog vibrato and chorus pedal with controls for rate and depth of the effect, as well as the ability to shape the modulation from standard to just plain weird (in a good way). There is also an optional envelope control that cause the modulation rate and depth to be triggered by the dynamics of your playing. As you play harder, the speed of the vibrato increases (or vice versa, depending on the setting).

A fantastic amp-like tremolo that doesn't muddy up the original signal. It can also double as a clean boost.

The Boss MH-2 was a very popular distortion pedal in the 80's and into the 90's. The sound it makes is right there in the title, it is "heavy."

Inspired by the popular RAT distortion, the Wrath by Foxpedal is a dark op-amp distortion with a sweep control that adjusts the distortion frequency.

An analog chorus pedal with simple controls. There is two depth settings, and one knob to control the rate. Think Nirvana's "Come as You Are."

The Bad Cat Siamese Dual Overdrive is a great way to finesse multiple drive tones without fussing with knobs on stage. Both sides of the pedal are the same circuit, so you could use one side as a boost, the other for a grittier tone, or stomp on them both for a third sound.

A fuzz pedal featuring a subtle octave effect at lower gain settings, plus two-channel EQ, and two-position voice switch. This thing has a big wooly sound.

A warm, rich, psychedelic reverse delay. It was very popular in the 90's for its tape-like tone.

Inspire by the popular MOSFET drives of the '90s, the Roebuck is a versatile drive/distortion. It has three different clipping options plus tweakable bass and treble controls to dial in just the right drive for you.

The Strymon Volante Magnetic Echo Machine is a highly capable delay. It is great for magnetic drum echoes, tape delay emulation, clean studio delay, and space exploration.

The tone of the Flame Drive ranges from silky to scorching with an amp-like distortion. Features a Bass Boost button to fatten up your sound.

The Aura Spectrum Direct Interface Preamp blends the signal of your acoustic guitar pickup with a studio mic'd guitar for a superior sound. It also features a 3-band EQ, compression, anti-feedback control, effects loop, and a built-in tuner. This thing is loaded with possibilities. Check it out!

The Platinum Stage EQ is a universal instrument preamp, fitting for any acoustic instrument. It has 4-band EQ, trim control, a switchable low cut and phase control. It also conveniently sports a belt clip, ideal for players who might be mobile on stage, such as a fiddle or mandolin player.

You don't need to pull off an elaborate heist in order to get great reverb...

The new Ripped Speaker Fuzz from Electro-Harmonix is fuzz pedal creates a wide range of tones from a lo-fi grit to a modern, fat, soaring sound. The "rip" control adjust the bias of the fuzz, allowing you to tailor a gating effect.

Made famous by players like Jimi Hendrix and David Gilmour, the Dunlop Fuzz Face has tones ranging from just a little to hair, to a creamy sustain, all the way to a screaming roar when dimed.

The Big Muff Deluxe is a the most tweakable Big Muff yet. Cut the mids, boost the bass, adjust the attack, whatever you need to do to make the the Big Muff tone your own.

Another sought after variation of the Big Muff, The Green Russian has a tone with a low end growl and plenty of sizzle.

The Octavix is an throwback to the fuzzed out high octave sound of the '60s (think Jimi Hendrix). There are controls for the amount of fuzz, volume of the high octave, and overall volume of the pedal.

The 30ms Automatic Double Tracker sports a range of doubling effects, great for guitar, keyboards, or voice. There is also an "Abbey Verb" emualting the reverb sound produced in Abbey Road's famed Studio Two.

Electro-Harmonix Hot Wax is a dual drive pedal, combining the EHX Crayon and the EHX Hot Tubes drive circuits into one housing. Unlike a lot of mid-voiced drive pedals, the Crayon is full range, and works great with bass or guitar. The Hot Tubes side of the pedal emulates the kind of distortion you'd expect from a overdriven tube amp. Use the Crayon side to drive the Hot Tubes side for a third drive voicing that really screams.

The EHX Epitome is a powerful multi-effects pedal, combing three EHX pedals into one housing: the micro POG, the Stereo Electric Mistress, and the Holy Grail Plus. The effects can be run independently of one another, or you can use the "shimmer" switch to re-route the effects, creating an entirely new tone pallet and a wide range of wild musical landscapes in stereo or mono.

An incredibly versatile overdrive effect that has an "amp-like" feel. It has a discrete preamp section, tone control section, and a switchable (on/off) power amp output stage.

The Shimmer is a beautiful sounding chorus + reverb effect. The effects can be used simultaneously, or you can switch between a reverb only, or shimmer only settings.

If you are a sonically adventurous guitarist then this analog guitar microsynth just may be a dream come true. With ten tweakable sliders, the tonal possibilities are almost endless.

A highly sought after reverb pedal with three distinct modes, spring, hall, and flerb. What is flerb? Flerb is a flanged reverb setting that creates a haunting, dark, reverb.

The Holy Stain is a multi-effects with seemingly endless combinations of tones. Dial in reverb, pitch shifting, tremolo, fuzz and drive to your liking.

The 720 looper has 12 minutes of loop time (720 seconds) with a memory bank capable of storing up to 10 loops. The stereo inputs/outputs increase your creative options, as you can record two instruments at once.

A versatile delay pedal in compact housing, this delay has 11 different modes, including tap delay, tape delay, reverse delay, and a loop function.

This super cool pedal from Electro-Harmonix turns your guitar into a Mellotron, emulating nine great sounds: Orchestra, Cello, Strings, Flute, Clarinet, Saxaphone, Brass, High Choir, and Low Choir. It has controls for both the dry guitar output, and the effect output, allowing you to sculpt the sound to taste.

Sculpt a sonic landscape with this high end reverb pedal from MXR. Featuring six distinct reverb styles and a three knob set-up, you'll find that tone you've been looking for in no time.

A fantastic delay pedal from MXR. The Carbon Copy Analog Delay produces a wide range of tones to experiment with, from a quick slapback, to spacious long delays.

The MXR Phase 90 is a pedal board favorite. One knob is all you need.

The Danelectro Cash Cow gives your guitar signal a clean boost to get a full bodied sound with clarity and punch. You can also use it to push the front end of an amp for preamp distortion.

A drive effect from Danelectro's Billionare series. The Pride of Texas rivals Ibanez's Tube Screamer. This pedal is a great choice for a blues player, or anyone looking to fatten up your tone and add some crunch without sacrificing clarity.

Dial in your ideal tremolo tone with MTG Tube Tremolo. With controls for level, speed, intensity, three oscillator wave shapes, and a tap tempo foot switch, this pedal has a wide range tremolo sounds. The LED back-lit knobs makes for easy adjustments on a dark stage.

The Nano Looper features 360 seconds of loop recording time, 11 storable loops, and unlimited overdubbing. This user friendly pedal makes recording, overdubbing, and erasing a breeze.

A reproduction of the 1972 Violet Ram's Head Big Muff.

Released in 2008 to commemorate 50 years of Electro-Harmonix, the Triangle Big Muff is the reissue of the original.

New mini pedal tuner from Electro Harmonix. Accurate, easy to read, and compact.

Add punch and sustain to your tone with the Hyper Gravity Compressor by TC Electronic.

A gritty drive pedal with a 3-way clipping section and plenty of gain and a range of tones.

The East River Drive overdrive will give you that same gratification you feel escaping gridlock and finally making some good time on your journey downtown. No trucks allowed.

This unfortunately named pedal is less angry than is sounds, a really good overdrive that will not so much clean your pipes, but help you cut through the din of Tube Screamer clones.

This is the classic. I know you want the little one so it fits on your pedal board, but forget that, this one has the sound you crave.

This is a versatile compressor that it easy to dial in and is good for guitar or bass. Fender's new line of pedals are done right!