The Strymon Volante Magnetic Echo Machine is a highly capable delay. It is great for magnetic drum echoes, tape delay emulation, clean studio delay, and space exploration.

The tone of the Flame Drive ranges from silky to scorching with an amp-like distortion. Features a Bass Boost button to fatten up your sound.

The Boss RC-300 is a deluxe looper that is capable of handling your wildest looping dreams. It has three separate synchronized stereo inputs, a master expression pedal, onboard effects, and phantom power.

The Aura Spectrum Direct Interface Preamp blends the signal of your acoustic guitar pickup with a studio mic'd guitar for a superior sound. It also features a 3-band EQ, compression, anti-feedback control, effects loop, and a built-in tuner. This thing is loaded with possibilities. Check it out!

The Platinum Stage EQ is a universal instrument preamp, fitting for any acoustic instrument. It has 4-band EQ, trim control, a switchable low cut and phase control. It also conveniently sports a belt clip, ideal for players who might be mobile on stage, such as a fiddle or mandolin player.

You don't need to pull off an elaborate heist in order to get great reverb...

The new Ripped Speaker Fuzz from Electro-Harmonix is fuzz pedal creates a wide range of tones from a lo-fi grit to a modern, fat, soaring sound. The "rip" control adjust the bias of the fuzz, allowing you to tailor a gating effect.

Made famous by players like Jimi Hendrix and David Gilmour, the Dunlop Fuzz Face has tones ranging from just a little to hair, to a creamy sustain, all the way to a screaming roar when dimed.

The Big Muff Deluxe is a the most tweakable Big Muff yet. Cut the mids, boost the bass, adjust the attack, whatever you need to do to make the the Big Muff tone your own.

Another sought after variation of the Big Muff, The Green Russian has a tone with a low end growl and plenty of sizzle.

The Octavix is an throwback to the fuzzed out high octave sound of the '60s (think Jimi Hendrix). There are controls for the amount of fuzz, volume of the high octave, and overall volume of the pedal.

The 30ms Automatic Double Tracker sports a range of doubling effects, great for guitar, keyboards, or voice. There is also an "Abbey Verb" emualting the reverb sound produced in Abbey Road's famed Studio Two.

Electro-Harmonix Hot Wax is a dual drive pedal, combining the EHX Crayon and the EHX Hot Tubes drive circuits into one housing. Unlike a lot of mid-voiced drive pedals, the Crayon is full range, and works great with bass or guitar. The Hot Tubes side of the pedal emulates the kind of distortion you'd expect from a overdriven tube amp. Use the Crayon side to drive the Hot Tubes side for a third drive voicing that really screams.

The EHX Epitome is a powerful multi-effects pedal, combing three EHX pedals into one housing: the micro POG, the Stereo Electric Mistress, and the Holy Grail Plus. The effects can be run independently of one another, or you can use the "shimmer" switch to re-route the effects, creating an entirely new tone pallet and a wide range of wild musical landscapes in stereo or mono.

Create some wild sonic landscapes with the Electro-Harmonix Super Ego Synth Engine. With this pedal you can sample and hold your guitar signal to create synth patches, tweak oscillator effects, strum infinite sustaining chords, and layer in the sounds of other effects with the effects loop. Will also work with voice, keyboards, bass...almost anything you can get into a 1/4" signal.

An incredibly versatile overdrive effect that has an "amp-like" feel. It has a discrete preamp section, tone control section, and a switchable (on/off) power amp output stage.

The Shimmer is a beautiful sounding chorus + reverb effect. The effects can be used simultaneously, or you can switch between a reverb only, or shimmer only settings.

If you are a sonically adventurous guitarist then this analog guitar microsynth just may be a dream come true. With ten tweakable sliders, the tonal possibilities are almost endless.

A highly sought after reverb pedal with three distinct modes, spring, hall, and flerb. What is flerb? Flerb is a flanged reverb setting that creates a haunting, dark, reverb.

The Holy Stain is a multi-effects with seemingly endless combinations of tones. Dial in reverb, pitch shifting, tremolo, fuzz and drive to your liking.

The 720 looper has 12 minutes of loop time (720 seconds) with a memory bank capable of storing up to 10 loops. The stereo inputs/outputs increase your creative options, as you can record two instruments at once.

A versatile delay pedal in compact housing, this delay has 11 different modes, including tap delay, tape delay, reverse delay, and a loop function.

This super cool pedal from Electro-Harmonix turns your guitar into a Mellotron, emulating nine great sounds: Orchestra, Cello, Strings, Flute, Clarinet, Saxaphone, Brass, High Choir, and Low Choir. It has controls for both the dry guitar output, and the effect output, allowing you to sculpt the sound to taste.

Sculpt a sonic landscape with this high end reverb pedal from MXR. Featuring six distinct reverb styles and a three knob set-up, you'll find that tone you've been looking for in no time.

A fantastic delay pedal from MXR. The Carbon Copy Analog Delay produces a wide range of tones to experiment with, from a quick slapback, to spacious long delays.

The MXR Phase 90 is a pedal board favorite. One knob is all you need.

The Danelectro Cash Cow gives your guitar signal a clean boost to get a full bodied sound with clarity and punch. You can also use it to push the front end of an amp for preamp distortion.

A drive effect from Danelectro's Billionare series. The Pride of Texas rivals Ibanez's Tube Screamer. This pedal is a great choice for a blues player, or anyone looking to fatten up your tone and add some crunch without sacrificing clarity.

Dial in your ideal tremolo tone with MTG Tube Tremolo. With controls for level, speed, intensity, three oscillator wave shapes, and a tap tempo foot switch, this pedal has a wide range tremolo sounds. The LED back-lit knobs makes for easy adjustments on a dark stage.

The Nano Looper features 360 seconds of loop recording time, 11 storable loops, and unlimited overdubbing. This user friendly pedal makes recording, overdubbing, and erasing a breeze.

A reproduction of the 1972 Violet Ram's Head Big Muff.

Released in 2008 to commemorate 50 years of Electro-Harmonix, the Triangle Big Muff is the reissue of the original.

New mini pedal tuner from Electro Harmonix. Accurate, easy to read, and compact.

Add punch and sustain to your tone with the Hyper Gravity Compressor by TC Electronic.

A gritty drive pedal with a 3-way clipping section and plenty of gain and a range of tones.

The Keeley DS-9 Dual Distortion combines the SD Sonique Distortion and the DS Orange Distortion into one box. Revered by players for its high bass output.

The East River Drive overdrive will give you that same gratification you feel escaping gridlock and finally making some good time on your journey downtown. No trucks allowed.

This unfortunately named pedal is less angry than is sounds, a really good overdrive that will not so much clean your pipes, but help you cut through the din of Tube Screamer clones.

This is the classic. I know you want the little one so it fits on your pedal board, but forget that, this one has the sound you crave.

This is a versatile compressor that it easy to dial in and is good for guitar or bass. Fender's new line of pedals are done right!

Ampeg knows bass, so trust them to add some crunch to your low end. By the way, you can use a guitar effect on a bass, and a bass effect on a guitar, there's no harm in it, whatever works for you.

Gary's is proud to now carry EEG pedals. Handmade from the bottom up in Portsmouth NH. Looking to mess up your sound in the best possible way? The Ring Modulator Fuzz will introduce an out of this world sound to inspire riffs, and leave your shredding in shreds.

Gary's is proud to now carry EEG pedals. Handmade from the bottom up in Portsmouth NH. Get your "Money for Nothin'" with this set-able Wah. Use it for a high end boost, or turn it down for a Billy Gibbons roar. You had no idea how handy this is, so come in and find out.

MAKE IT SOUND HAIRY

A good fuzz pedal is indispensable—this gloriously splatty, satisfying sound has been the cornerstone of rock tone for decades. An all-original design, The Pelt Fuzz has a few tricks hidden up its sleeve. All the familiar controls are there: Level, Fuzz and Tone, along with a Bloom control to shape the contours of your sound. Our secret-weapon Mid switch lets you boost or cut the midrange for even more voicing options, while the Thick switch adds some girth to your sound.